Orson Welles’s classic
tale of a publishing tycoon’s rise and fall is compelling, distressing, and ingenious
in its storytelling, earning its reputation as a milestone achievement in film.
It is the world’s most famous and exceedingly rated film. An American drama
film, this was known as a masterpiece in cinematic history, with its remarkable
cinematic and narrative techniques and tentative innovations.
More importantly, the inventive, bold film is an
acknowledged landmark in the enlargement of cinematic technique. It uses film
as an art form to energetically communicate and display a non-static view of
life. Its components brought together some important aspects such as the use of
a subjective camera, eccentric lighting, prefiguring the darkness and low-key
lighting of future film noirs, creative use of shadows and strange camera
angles, following in the tradition of German Expressionists, low-angled shots illuminating
ceilings in sets, sparse use of revealing facial close-ups, sophisticated
camera movements, over-lapping, flashbacks, flash-forward’s and non-linear
story-telling, long, continuous shots or lengthy takes of sequences.
In the entire movie the foreground, mid ground and
the background are in focus in every scene. This was done by experimenting with
lenses and lighting. One of the story-telling techniques introduced in this
film was using an intermittent sequence on the same set while the characters
changed costume and make-up between cuts so that the scene following each cut
would look as if it took place in the same site, but at a time long after the
previous cut.
The film traces the life and career of Charles
Foster Kane, a man whose career in the publishing world is born of idealistic
social service, but gradually evolves into a brutal chase of power. Narrated
chiefly through flashbacks, the story is exposed through the research of a
newspaper reporter seeking to solve the mystery of the newspaper magnate's
dying word: "Rosebud."
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